If you’ve ever been in Africa on a hot afternoon when the smouldering sun is intent on roasting anything which is stupid enough to be found exposed on the dry cracked hot plate of soil, then you will know what the intense heat of such an afternoon can do to an artist’s imagination. One of my favourite things to do on days when all sane individuals have retired to the cool shade of veranda’s and trees, is to brave the scorching heat and to walk into the veld. Once alone I locate a small hill which will afford me an open view of a valley. From such a vantage point I can see miles across the swimming and dancing landscapes as the afternoon heat brings mirages and illusions of cool water flowing across the thirsty scene.
It seems that the creative potential in each one of us is ignited when the combination of ideas and restless energy reaches critical mass and we spontaneously ignite into expression. At flash point we head for our studio’s, overflowing with the desire to commit it all to canvas before the image fades and the colours disperse in our minds eye.
My studio is quiet, almost as if it is waiting, knowing that I going away.
A good friend of mine used to have a dog that was very good at reading the signs. It seemed to know when preparations were being made and the family was getting ready for a vacation. It would sit silent, head down, and perform the saddest portrayal of rejection, worthy of an Oscar for a tragic character from a Shakespearian production.
That’s how my studio feels tonight as I gather and select the materials for my trip to South Africa. I find it amazing how this space, Thornwood Studio, has taken on a character, a personality, an almost human nature. Of course I tell myself that it is simply a room, a pre-fabricated room full of paint, canvas, bottles, brushes, books and music…..damn it, it’s my studio and an extension of me…that’s why it feels almost human; it’s a part of me and it knows it’s not going to Africa with me.
I have selected, for this trip, 12 fine pieces of watercolour paper, my, as yet unused Windsor Newton watercolour Travel set and a very limited selection of brushes, pens and watercolour pencils. I have limited space so am travelling light.
It is four years since I was last in South Africa, a land seldom far from my thoughts and longing. I have lived in England for fifteen years and love this beautiful land and the opportunity it has afforded my family and me; yet always there is this distant voice, almost like the sound of a drum beat in the night which draws my attention south and to the constellation of The Southern Cross. To deep, dark, velvety African nights enjoyed under the Milky Way and in the company of the hot crackling Thornwood fires from where my studio derives its name.
My visit is mostly for family reasons; firstly I must deliver the ashes of my late cousin to those who will inter them in the family burial grounds at the foot of nTaba Temba a mountain in the Eastern Cape. Then I must acquaint my twelve-year-old daughter, who was born in the UK, and has little knowledge of her roots in Africa, with her family history. She will learn of her grand parents and ancestors and how they established themselves and prospered in the area known as Queenstown, a settler town named after Queen Victoria. She will tread the paths I once ran on as a little boy and she will inhale the sights, sounds and smells that will, in time to come, become the drum beat which will draw her back on her own pilgrimages and towards her own longings.
When we have visited all the sights, left our footprints on ancestral land and enjoyed the reunion of family and friends, I shall steal-away and rekindle deep memories of my own. If the spirit is willing, the flesh strong and the eye true, then the twelve watercolour papers will return to England, having captured something of the colours of my memories, the scenes and the emotions of what was once my life in Africa.
Wish me well everyone and pray for creativity, vision and interpretation. That my African trip would truly be a safari of the spirit and that I would return to Thornwood Studio with tales to tell to my canvases, colours to relate to my palate and instructions to give to my brushes.